Mostrar mensagens com a etiqueta tipografias. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta tipografias. Mostrar todas as mensagens

20/11/2012

Good design - Oliver Reichenstein

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Good design is invisible: an interview with iA's Oliver Reichenstein
By Sam Byford on July 24, 2012 01:00 pm

Oliver Reichenstein is the founder and director of Information Architects, the Tokyo, Zurich, and Berlin-based design agency. iA's usual trade is website design and consultancy along with the odd concept like the Twitter strikethrough, but the company has also found recent success in iOS and Mac app development. Writer for iPad is a pioneering minimalist text editor, and its focus-enhancing combination of sparse visuals and refined typography has since made the leap to OS X and the iPhone.

Reichenstein recently took the time to answer some of my questions on design and development. Since iA's work is informed by its presence in Europe and Asia, I wanted to know his thoughts on the differences between the two, and in particular where he sees the state of Japanese design right now. After all, for anyone who's visited a cluttered Japanese website recently, the tasteful and restrained work put out by iA would seem to be entirely out of step with the agency's Tokyo base. Read on for Reichenstein's thoughts on why this is, as well as typography, user interface design, influences, and more — he has a lot to say.

Sam Byford: Where are you right now, and what are you doing? 
Oliver Reichenstein: I’m in Switzerland. My wife and I decided to move from Japan after the earthquake, because we deemed a triple meltdown two car hours away from Tokyo too insecure for our 3 year old boy. It’s too early to tell whether we were right or wrong, but I think it was the right decision, if only for peace of mind. Since we have offices in Zurich and Berlin, and most of our clients are European, it was not a big business risk. Actually, this has been our best year so far, and it has helped me being closer to our main clients. [Ler mais...]

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"HARDLY ANYONE CAN DISCERN GOOD FROM BAD TYPOGRAPHY, BUT EVERYBODY CAN FEEL IT"

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fonte: http://www.theverge.com/2012/7/24/3177332/ia-oliver-reichenstein-writer-interview-good-design-is-invisible

02/06/2009

¿Que es Carácter Tipográfico?

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"Carácter tipográfico es un lugar para todos aquellos que gustan, entienden u otorgan un valor importante a la tipografía y a la letra en general. Es un medio digital a partir del cual proponemos informar o participar en la creación de una cultura tipográfica en castellano. Queremos convocar inteligencias y voluntades, muchas o pocas, en torno a una representación de nuestra época: vivimos una era interesante para la letra y la cultura impresa; los medios digitales, lejos de sustituirlas por otra cosa, las transforman y desarrollan."

fonte: Carácter Tipográfico

29/03/2008

13 typefaces every graphic designer needs

by David Airey
Published on October 25th, 2007

With thousands of different typefaces on offer, it’s vital to have a select few that act as pillars in your collection. The following 13 typefaces (shown in alphabetical order) are ones that I believe every graphic designer should be familiar with. [Ler mais...]

28/03/2008

Post Typography



"Wayne and Garth meets Chermayeff & Geismar."
Paul Carlos. Principal, Pure+Applied NYC

Originally conceived and founded in 2001 as an avant garde anti-design movement by Nolen Strals and Bruce Willen, Post Typography specializes in graphic design, conceptual typography, and custom lettering/illustration with additional forays into art, apparel, music, curatorial work, design theory, and vandalism. Their work has received numerous fancy design awards and has been featured in such publications as Ellen Lupton's Thinking With Type and D.I.Y.: Design It Yourself, The Art of Modern Rock, Metropolis magazine, Taschen's Contemporary Graphic Design, and Phaidon's Area 2. Post Typography have appeared in numerous design and art exhibitions, and their posters are collected by high school punk rockers and prominent designers (whom they consider equally important). Strals and Willen currently teach classes in design and typography at the Maryland Institute College of Art, and have lectured at the Cooper Union, Minneapolis College of Art & Design, and Harvard University among others. [Ler mais...]

19/03/2008

An Introduction to OpenType

What’s OpenType? Is it right for me?

[Ler mais...]
> http://www.typography.com/ask/recentTopic.php?rtID=86


Last updated 25 January 2008

27/02/2008

Type, handwriting, and lettering

Notes on type design

Would you like to make your own?
Take your characters and turn them into fonts. Create lettershapes that work together, and print them. Sounds like fun? It can be.The skills of designing letters can be learned, just like other skills. The techniques of fitting them together are no secret. The tools are better than they used to be. Alchemy probably helps, but managing without that is the purpose of orderly work. You can digitize almost any shape you imagine. The big question is this. What do you want?

[Ler mais...]

30/08/2007

Erik Spiekermann: Typomania



About This Video
A video probably made for kids to learn about type.
From: Matfutura
Added: November 06, 2007
Category: Education
Tags: Design typeface Helvetica