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On Creativity sits down with legendary graphic designer Milton Glaser, to discuss the creative process, the act of making things, and cocker spaniels.
fonte: http://www.youtube.com/watch?v=5BGlNBnlpPA&feature=plcp
Mostrar mensagens com a etiqueta F. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta F. Mostrar todas as mensagens
31/01/2012
Typotheque: Julien, geometric display typeface
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Julien — the making of
by Peter Biľak
Julien is a playful geometric display typeface loosely inspired by the early 20th century avant-garde. It is based on elementary shapes and includes multiple variants of each letter. [Ler mais...]
Julien, geometric display typeface
by Peter Biľak
We are pleased to present a new typeface — Julien. It’s a playful geometric display typeface loosely inspired by the early 20th century avant-garde. It is based on elementary shapes and includes multiple variants of each letter (over 1000 glyphs per style), as well as intelligent OpenType scripts that select glyphs to create the best word shapes. Julien is a unicase typeface in which upper case and lower case letters are mixed together. [Ler mais...]
fontes:
http://www.typotheque.com/articles/julien-the_making_of
http://www.typotheque.com/blog/julien
…
Julien — the making of
by Peter Biľak
Julien is a playful geometric display typeface loosely inspired by the early 20th century avant-garde. It is based on elementary shapes and includes multiple variants of each letter. [Ler mais...]
Julien, geometric display typeface
by Peter Biľak
We are pleased to present a new typeface — Julien. It’s a playful geometric display typeface loosely inspired by the early 20th century avant-garde. It is based on elementary shapes and includes multiple variants of each letter (over 1000 glyphs per style), as well as intelligent OpenType scripts that select glyphs to create the best word shapes. Julien is a unicase typeface in which upper case and lower case letters are mixed together. [Ler mais...]
fontes:
http://www.typotheque.com/articles/julien-the_making_of
http://www.typotheque.com/blog/julien
…
19/01/2012
Tipos online
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Tipos online: Directório das fundições digitais, ordenado alfabeticamente
[Ler mais...]
Entre os requisitos essenciais para um bom trabalho de tipografia está, em primeiro lugar, a boa matéria-prima: fontes digitais de primeira qualidade. Nesta secção, listam-se (e comentam-se) web-sites onde vê-las e obtê-las. Todas as empresas que comercializam fontes digitais têm sites para apresentar em detalhe os desenhos e vender as fontes. Basta possuir um cartão de crédito. O tamanho das empresas e as ofertas variam. Existem pequenas digital foundries e as produtoras dos indie fonts, que vendem apenas meia dúzia de fontes – o que não deixa de ter interesse, pois esses pequenos produtores independentes vão colmatando as lacunas de criatividade que os grandes supermercados de fontes (como a Monotype/ Linotype, por exemplo) Não passa uma semana em que não haja novidades a apresentar no web tipográfico. Hoje, os sites das «digital foundries» substituem os antigos mostruários editados pelas fundições de tipos de metal. Na maioria destes web-sites, os interessados podem comprar as fontes directamente online.
Descobriu alguma falha nesta página? Falta alguma fundição? Escreva um email a Paulo Heitlinger.
fonte: http://tipografos.net/mercado/index.html
…
Tipos online: Directório das fundições digitais, ordenado alfabeticamente
[Ler mais...]
Entre os requisitos essenciais para um bom trabalho de tipografia está, em primeiro lugar, a boa matéria-prima: fontes digitais de primeira qualidade. Nesta secção, listam-se (e comentam-se) web-sites onde vê-las e obtê-las. Todas as empresas que comercializam fontes digitais têm sites para apresentar em detalhe os desenhos e vender as fontes. Basta possuir um cartão de crédito. O tamanho das empresas e as ofertas variam. Existem pequenas digital foundries e as produtoras dos indie fonts, que vendem apenas meia dúzia de fontes – o que não deixa de ter interesse, pois esses pequenos produtores independentes vão colmatando as lacunas de criatividade que os grandes supermercados de fontes (como a Monotype/ Linotype, por exemplo) Não passa uma semana em que não haja novidades a apresentar no web tipográfico. Hoje, os sites das «digital foundries» substituem os antigos mostruários editados pelas fundições de tipos de metal. Na maioria destes web-sites, os interessados podem comprar as fontes directamente online.
Descobriu alguma falha nesta página? Falta alguma fundição? Escreva um email a Paulo Heitlinger.
fonte: http://tipografos.net/mercado/index.html
…
10/12/2011
Ricardo Santos
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Ricardo Santos studied at António Arroio school and is graduated from IADE (Instituto de Artes Visuais, Design e Marketing), both in Lisbon, Master de Tipografia Avanzada - EINA (Escola de Disseny i Art) in Barcelona. He began his career as both a graphic designer and illustrator, and since 1997 has designed his own typefaces. He now works as a free-lance type designer and teaches at ESAD.CR in Caldas da Rainha. [ler mais...]
ABOUT VANARCHIV
Vanarchiv is an independent digital type foundry based in Lisbon, Portugal, directed by Ricardo Santos.
Vanarchiv develops and markets original text and display type fonts for both Mac and PC platforms. Vanarchiv typefaces are distributed by: Myfonts, Fountain and FontShop.
fonte: VANARCHIV
Ricardo Santos studied at António Arroio school and is graduated from IADE (Instituto de Artes Visuais, Design e Marketing), both in Lisbon, Master de Tipografia Avanzada - EINA (Escola de Disseny i Art) in Barcelona. He began his career as both a graphic designer and illustrator, and since 1997 has designed his own typefaces. He now works as a free-lance type designer and teaches at ESAD.CR in Caldas da Rainha. [ler mais...]
ABOUT VANARCHIV
Vanarchiv is an independent digital type foundry based in Lisbon, Portugal, directed by Ricardo Santos.
Vanarchiv develops and markets original text and display type fonts for both Mac and PC platforms. Vanarchiv typefaces are distributed by: Myfonts, Fountain and FontShop.
fonte: VANARCHIV
14/02/2009
Josef Müller-Brockmann
From Wikipedia, the free encyclopedia
Josef Müller-Brockmann, (May 9, 1914 – August 30, 1996), was a Swiss graphic designer and teacher. He studied architecture, design and history of art at both the University and Kunstgewerbeschule in Zurich. In 1936 he opened his Zurich studio specialising in graphic design, exhibition design and photography. From 1951 he produced concert posters for the Tonhalle in Zurich. In 1958 he became a founding editor of New Graphic Design along with R.P. Lohse, C. Vivarelli, and H. Neuburg. In 1966 he was appointed European design consultant to IBM. Müller-Brockman was author of the 1961 publications The Graphic Artist and his Design Problems, Grid Systems in Graphic Design where he advocates use of the grid for page structure, and the 1971 publications History of the Poster and A History of Visual Communication.
Josef Müller-Brockmann, (May 9, 1914 – August 30, 1996), was a Swiss graphic designer and teacher. He studied architecture, design and history of art at both the University and Kunstgewerbeschule in Zurich. In 1936 he opened his Zurich studio specialising in graphic design, exhibition design and photography. From 1951 he produced concert posters for the Tonhalle in Zurich. In 1958 he became a founding editor of New Graphic Design along with R.P. Lohse, C. Vivarelli, and H. Neuburg. In 1966 he was appointed European design consultant to IBM. Müller-Brockman was author of the 1961 publications The Graphic Artist and his Design Problems, Grid Systems in Graphic Design where he advocates use of the grid for page structure, and the 1971 publications History of the Poster and A History of Visual Communication.
He is recognised for his simple designs and his clean use of typography, notably Akzidenz-Grotesk, shapes and colours which inspires many graphic designers in the 21st century. Many of his works can be found on the gallery Blanka. [Ler mais...]
Links:
A conversation with Josef Müller-Brockmann
by Yvonne Schwemer-Scheddin
eyemagazine.com
…
Links:
A conversation with Josef Müller-Brockmann
by Yvonne Schwemer-Scheddin
eyemagazine.com
…
Helvetica _história, designers e imagens
Image Now Gallery
fifty years of helvetica
05 -30.11.07
one: an exhibition in mono
03 - 17.11.06
forty-eight posters, Josef Müller-Brockmann
31.05 - 25.06.04
Outros links:
blanka.co.uk/50_years_of_helvetica
fifty years of helvetica
05 -30.11.07
one: an exhibition in mono
03 - 17.11.06
forty-eight posters, Josef Müller-Brockmann
31.05 - 25.06.04
Outros links:
blanka.co.uk/50_years_of_helvetica
12/02/2009
Berthold Types _OldFace
From Wikipedia, the free encyclopedia
Berthold is a name long associated with type design. H. Berthold AG was one of the largest and most successful type foundries in the world for most of the modern typographic era. Established in 1858 by Hermann Berthold and based in Berlin, the company played a key role in the introduction of major new typefaces and was a successful player in the development of typesetting machines.
The H. Berthold foundry's most celebrated family of typefaces is arguably Akzidenz-Grotesk (released 1896), an early sans-serif which prefigured by half a century the release of enormously popular neo-grotesque faces such as Helvetica. In 1950, type designer Günter Gerhard Lange embarked upon a long affiliation with the company, for which he designed various original typefaces, including Concorde and Imago, and oversaw the foundry's revivals of classic faces such as Garamond, Caslon, Baskerville, and Bodoni.
Beset by financial troubles, H. Berthold AG ceased operations in 1993. Berthold Types Ltd. , a Chicago-based company, took over distribution of the Berthold digital type library and has released several new typefaces under the direction of Lange, who had retired in 1990, but now serves as artistic consultant to the new Berthold. [Ler mais...]
Berthold is a name long associated with type design. H. Berthold AG was one of the largest and most successful type foundries in the world for most of the modern typographic era. Established in 1858 by Hermann Berthold and based in Berlin, the company played a key role in the introduction of major new typefaces and was a successful player in the development of typesetting machines.
The H. Berthold foundry's most celebrated family of typefaces is arguably Akzidenz-Grotesk (released 1896), an early sans-serif which prefigured by half a century the release of enormously popular neo-grotesque faces such as Helvetica. In 1950, type designer Günter Gerhard Lange embarked upon a long affiliation with the company, for which he designed various original typefaces, including Concorde and Imago, and oversaw the foundry's revivals of classic faces such as Garamond, Caslon, Baskerville, and Bodoni.
Beset by financial troubles, H. Berthold AG ceased operations in 1993. Berthold Types Ltd. , a Chicago-based company, took over distribution of the Berthold digital type library and has released several new typefaces under the direction of Lange, who had retired in 1990, but now serves as artistic consultant to the new Berthold. [Ler mais...]
17/12/2008
A Number of Numbers _by Pentagram
The Burmese system uses lines once written on palm leaves.
Each year Pentagram issues a small holiday book as a greeting to its friends, clients and colleagues. The partners take turns researching and designing these books, which usually contain some kind of game or activity. This year’s book, A Number of Numbers, has been designed by Michael Gericke and his team. Numbers are an especially timely subject, given their importance in recent world events and for the ways they connect us now more than ever. The book features seven numerical systems, from simple tallying to the Burmese system, seen above.
We have adapted the book’s content online and are pleased to present the minisite here. Do you have a head for numbers?
Go to the A Number of Numbers site
Publications, Recent Work, New York, Michael Gericke
12 / 17 / 2008 | Permalink
16/11/2008
Short Letterpress Documentary
From: creativetechs
Take a short visit to Firefly Press in Somerville Massachusetts. John Kristensen, proprietor. This wonderful little documentary speaks to the craftsmanship and love of traditional design that drew many of us into the world of graphic design years ago. Take a moment to slow down and enjoy.
...
14/10/2008
23/09/2008
FB Stainless _fonts.com
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Like so many typefaces, the Stainless™ design grew out of experimentation. While drawing in his sketchbook one day, Cyrus Highsmith began to rough out a serifless version of his slab serif design, Dispatch™. As he drew strokes and counters, he realized that he had the beginnings of an original family – with its own strong character and identity – not just a sans serif partner for Dispatch. The final Stainless design was chosen as the new branding typeface for Premiere magazine.Highsmith designed three display weights for the project: Ultra Thin, Thin and Ultra Light.
Like so many typefaces, the Stainless™ design grew out of experimentation. While drawing in his sketchbook one day, Cyrus Highsmith began to rough out a serifless version of his slab serif design, Dispatch™. As he drew strokes and counters, he realized that he had the beginnings of an original family – with its own strong character and identity – not just a sans serif partner for Dispatch. The final Stainless design was chosen as the new branding typeface for Premiere magazine.Highsmith designed three display weights for the project: Ultra Thin, Thin and Ultra Light.
Highsmith, senior type designer at Font Bureau, is no stranger to magazine type design. Martha Stewart Living, The Source, MensHealth and many other publications contain his typefaces. However, magazine type design isn’t Highsmith’s sole focus. He considers himself above all a draftsman. He draws calligraphic scripts and industrial-strength sans serif faces (like Stainless) with equal ease.
Stainless is now a full family of 35 designs. Weights range from a precise Ultra Thinto a full-bodied Black. Italics, condensed, compressed and even a suite of extendeddesigns complete the family. Square shoulders and clipped terminals give Stainless a sophisticated demeanor that stands out from the crowd. If you are looking for a distinctive – and exceptionally versatile – sans, Stainless just might be the family for you. [Ler mais...]
15/09/2008
Black Slabbat _YouWorkForThem
Designed by Stefan Kjartansson
Styles: Regular, Alternative
There’s only one thing about this new typeface that isn’t colossally black: the razor-thin white space. It slices through and between geometric characters, creating a juxtaposition of contrasts and rhythms. Typeface delivered in OpenType format.
Styles: Regular, Alternative
There’s only one thing about this new typeface that isn’t colossally black: the razor-thin white space. It slices through and between geometric characters, creating a juxtaposition of contrasts and rhythms. Typeface delivered in OpenType format.
07/08/2008
FF Meta Serif _FontShop
It took three years and three designers to develop FF Meta® Serif. All through the ’90s, Erik Spiekermann made several attempts at designing a counterpart for his groundbreaking FF Meta®. Fans of Meta frequently asked him which serif face would best complement it. He recommended Swift™, Minion™, FF Clifford™, and others, until he realized that he should just buckle down and draw his own serif Meta. True to his principle of collaboration, Spiekermann enlisted the help of accomplished type designers Christian Schwartz and Kris Sowersby. [Ler mais...]
Download Overview of FF Meta Serif Packages 540KB PDF
10/03/2008
Paula Scher_film
BiographyFor over three decades Paula Scher has been at the forefront of graphic design. Iconic, smart and unabashedly populist, her images have entered into the American vernacular.
http://www.aiga.org/content.cfm/medalist-paulascher
[Ver filme...]
Moleskine Paula Scher notebook @ Detour exhibition
Added: June 21, 2007From: moleskinecity
Paula Scher notebook
Category: Travel & Places
Tags: Moleskine Paula Scher citynotebook notebook lettera27
YouTube
05/03/2008
História da tipografia através dos tempos
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Clip contendo um pequeno resumo imagético da evolução caligráfica/tipográfica do homem desde tempos remotos.
From: Matfutura
Added: August 03, 2006
Category: Film & Animation
Tags: tipografia
Clip contendo um pequeno resumo imagético da evolução caligráfica/tipográfica do homem desde tempos remotos.
From: Matfutura
Added: August 03, 2006
Category: Film & Animation
Tags: tipografia
09/02/2008
Helvetica
A Documentary Film
by Gary Hustwit
Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which is celebrating its 50th birthday this year) as part of a larger conversation about the way type affects our lives. Helvetica is currently screening at film festivals, museums, design conferences, and cinemas worldwide, and is now available on DVD. Get more info about the film...
Helvetica screening tour continues - After a sold-out World Premiere at the South by Southwest Film Festival, and events in over 150 cities worldwide, the global screening tour for Helvetica keeps going. Check out the screening schedule for the latest showings.
In the media - Reviews of the film from Time Out, the Daily Telegraph, The New York Times, The Chicago Tribune, Metropolis, and Frieze. Director Gary Hustwit on CNN International; the International Herald Tribune and US News and World Report on Helvetica's 50th, Kobi Benezri and Cliff Kuang interview Gary in the new issue of I.D. Magazine; Steven Heller interviews Gary about the film for AIGA Voice; Andrew Dickson profiles the film in The Guardian.
by Gary Hustwit
Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which is celebrating its 50th birthday this year) as part of a larger conversation about the way type affects our lives. Helvetica is currently screening at film festivals, museums, design conferences, and cinemas worldwide, and is now available on DVD. Get more info about the film...
Helvetica screening tour continues - After a sold-out World Premiere at the South by Southwest Film Festival, and events in over 150 cities worldwide, the global screening tour for Helvetica keeps going. Check out the screening schedule for the latest showings.
In the media - Reviews of the film from Time Out, the Daily Telegraph, The New York Times, The Chicago Tribune, Metropolis, and Frieze. Director Gary Hustwit on CNN International; the International Herald Tribune and US News and World Report on Helvetica's 50th, Kobi Benezri and Cliff Kuang interview Gary in the new issue of I.D. Magazine; Steven Heller interviews Gary about the film for AIGA Voice; Andrew Dickson profiles the film in The Guardian.
02/02/2008
Tipografia
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By Boca and Ryan Ulrich
From: 1987rafa
Added: May 29, 2007
Category: Film & Animation
Tags: typography
By Boca and Ryan Ulrich
From: 1987rafa
Added: May 29, 2007
Category: Film & Animation
Tags: typography
01/02/2008
Erik Spiekermann: Helvetica documentary clip
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A clip from the feature-length documentary Helvetica, by Gary Hustwit. DVD OUT NOW http://www.helveticafilm.com (less)
From: swissdots
Added: December 15, 2006
Category: Film & Animation
Tags: Helvetica graphic design typography fonts Berlin
A clip from the feature-length documentary Helvetica, by Gary Hustwit. DVD OUT NOW http://www.helveticafilm.com (less)
From: swissdots
Added: December 15, 2006
Category: Film & Animation
Tags: Helvetica graphic design typography fonts Berlin
09/01/2008
The Futura typeface
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The Futura typeface. Set to music by Wolf Parade
From: MaxTerry
Added: December 16, 2006
Category: Film & Animation
Tags: futura typeface font wolf parade after effects binary digital future futuristic yin-yang Taoism
The Futura typeface. Set to music by Wolf Parade
From: MaxTerry
Added: December 16, 2006
Category: Film & Animation
Tags: futura typeface font wolf parade after effects binary digital future futuristic yin-yang Taoism
Subscrever:
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